Giant Robot Biennale: 50 Issues
November 3, 2007 - January 13, 2008
Developed in collaboration with Eric Nakamura of Giant Robot and the Japanese American National Museum
In celebration of its 50th issue and in collaboration with the Japanese American National Museum, the pop-culture magazine Giant Robot has assembled works by ten cutting-edge artists from around the country in Giant Robot Biennale: 50 Issues.
July 13 - September 9, 2007
The Japanese American National Museum will present the exhibition, Akio Morita, this summer from July 13 - September 9, 2007. Developed by members of the Morita family, this exhibit commemorates the remarkable life and achievements of Mr. Akio Morita (1921-1999), co-founder of Sony Corporation.
As one of Sony's principal figures, Morita was known as an electronic innovator who changed the way the world sees, hears, plays, and explores music, movies, TV, and games. At the same time, Morita's efforts to produce closer ties between Japan and the rest of the world brought him international recognition and exerted a profound influence on global trade that lasts to this day.
Landscaping America: Beyond the Japanese Garden
June 17, 2007 - January 6, 2008
Gardens were among the first forms of Japanese culture to gain popularity in the United States. Since their introduction to the American public at the 1876 Centennial Exposition in Philadelphia, Japanese-style gardens have profilerated across the country.
This exhibition represents a retrospective of this Nisei artist's enduring and richly varied career. Born on a truck farm in Southern California, Asawa was incarcerated at Rohwer concentration camp in Arkansas during World War II. In the 1940s, she attended Black Mountain College, the famous experimental art school in North Carolina.
Ansel Adams at Manzanar
November 11, 2006 - February 18, 2007
Ansel Adams at Manzanar, organized by the Honolulu Academy of Arts, includes over 50 vintage prints from the collections of the Library of Congress, the Center for Creative Photography in Tucson, Arizona, the Honolulu Academy of Arts, and the Japanese American National Museum.
kip fulbeck: part asian, 100% hapa
June 8 - October 29, 2006
kip fulbeck: part asian, 100% hapa is an exhibition of portraits by artist Kip Fulbeck, who traveled the country photographing more than 1,000 Hapa of all ages and walks of life. Originally a derogatory label derived from the Hawaiian word for half, the word Hapa has been embraced as a term of pride by many whose mixed-race heritage includes Asian or Pacific Rim ancestry.
Isamu Noguchi: Sculptural Design
February 5 - May 14, 2006
In a career that spanned six decades, Japanese American artist Isamu Noguchi (1904-1988) produced a groundbreaking body of work that encompassed multiple disciplines to break down the barriers between sculptural art and functional design. Isamu Noguchi - Sculptural Design celebrates this legacy by integrating over 75 of Noguchi's works into a series of dramatic installations conceptualized by renowned theater designer and artist Robert Wilson. The exhibition includes Noguchi's portrait busts, unique stone sculptures, and set designs for the Martha Graham Dance Company as well as his iconic furniture designs and Akari lamps, all arranged in thematic settings with bold lighting, visually striking tableaux, and evocative sounds.
Southern California Gardeners' Federation: Fifty Years
October 25 - November 13, 2005
From the early 1900s, Japanese American gardeners have cared for their clients' yards, community gardens, and public parks throughout the West Coast. Often faced with limited job opportunities in other fields, Japanese Americans turned to gardening as one of the ways they could start their own business with few resources - just mowers, hand tools, and perhaps a truck. Through their work, they also found an outlet for their creativity and a way to build community pride.
Toshiko Takaezu: The Art of Clay
August 6 - November 27, 2005
Toshiko Takaezu: The Art of Clay features the recent work of Toshiko Takaezu, an artist at the forefront of breaking down the traditional barriers between functional and sculptural art. Known for her experiments in the expressive potential of clay, Takaezu's work is characterized by exuberant glazes and a meditation on the power of medium to communicate abstract and specific meanings. The exhibition includes examples of Takaezu's closed forms -- rounded vessels with only a tiny vestigial opening, spherical 'moon pots', and tree-like forms.
Big Drum: Taiko in the United States
July 14, 2005 - January 8, 2006
With its thunderous rhythms and energetic movements, taiko is a powerful and enormously popular style of group drumming. In Japanese, the word taiko translates to 'big drum' or 'fat drum'. While drumming has always been a part of Japanese and Japanese American culture, it was not until the latter part of the twentieth century that taiko evolved into the ensemble form practiced and performed today. The pioneering American taiko groups were formed in California during the social and political tumult of the late 1960s and early 1970s. Today, there are hundreds of groups throughout North America and Hawai'i.