A color drawing of the Kilauer Military Dentention Camp, barracks with mountain in distance

オンライン展覧会

The Life and Work of George Hoshida

A Japanese American’s Journey

1942–1943

About 800 internees from Hawai‘i were incarcerated at the Justice Department internment camp at Santa Fe, New Mexico. After Lordsburg, Hoshida was sent to Santa Fe where he continued to draw and paint in his notebooks. Art was a way for Hoshida to productively focus his energy away from this disheartening situation. Hoshida and his wife, Tamae, wrote letters to each other almost every day. She would also send him art supplies and items from the Sears & Roebuck catalog. The Hoshidas would have preferred to correspond in Japanese, but in order for the letters to be censored by authorities they had to be written legibly in English. They made several appeals to be reunited at a camp where families could be together. 

Most of the men of this camp were Issei and middle-aged. The camp was relatively peaceful, but inmates were kept separate from their families and the reuniting process was very slow. Hoshida also grew impatient and had considered repatriating to Japan—not because he disliked the United States but because he simply wanted to be with his family. However, his wife and brother convinced him to abandon this thought. After nearly two years apart, the Hoshidas were finally granted permission to be reunited at the War Relocation Authority concentration camp in Jerome, Arkansas.

開催中

The December 7, 1941 attack on the U.S. Navy base at Pearl Harbor, Hawai‘i by the nation of Japan plunged the United States into World War II and irrevocably changed the course of American history. But for thousands of Americans of Japanese ancestry living in the Hawaiian Islands and the mainland, the war highlighted the great divide between their American ideals and their unfair treatment based solely on race. 

The Japanese first immigrated to Hawai‘i in 1885 to work as laborers in the burgeoning plantations. By the time of World War II, the Japanese immigrants and the subsequent generations born on the Islands had developed extensive communities and demonstrated their centrality to the Hawaiian economy. They worked on plantations, owned shops, practiced trades, founded churches and temples, and organized sports leagues, Japanese language schools, and martial arts clubs—all characteristic of a stable and growing community, a community that was making a commitment to a new homeland on the Islands. However, the United States had long been suspicious of immigrants who “looked” different. Hawai‘i was not yet a state, but on the Mainland numerous laws and court decisions created a hierarchy that limited the Japanese immigrant’s ability to become an American. 

After the bombing of Pearl Harbor, martial law was declared in Hawai‘i and Japanese American community leaders were singled out as “suspicious.” Although the Japanese Americans in Hawai‘i had posed no prior threat, community leaders were thought to be potentially harmful to United States security despite the fact that no evidence existed to link Japanese Americans in Hawai‘i with the acts of Japan, except by virtue of ancestry. By December 9, over 120 community leaders were taken from their homes and incarcerated in Hawai‘i.¹ George Hoshida was one such person.

This microsite honors the spirit and talent of George Hoshida (1907–1985), an incarcerated artist who documented camp life with pencil and brushwork in a series of notebooks he kept between 1942 and 1945. Through examples of Hoshida’s artwork and personal correspondence with his family, this site hopes to provide insight into one individual’s incarceration experience.

The pages of this microsite are organized chronologically by the camps where George Hoshida and his family were incarcerated. Hoshida’s notebooks and letters are now part of the June Honma Collection deposited at the Japanese American National Museum in Los Angeles, California. In addition to Hoshida’s personal documents, a select number of secondary sources were used to develop this site.

¹ On the mainland, over 1,000 community leaders were incarcerated in Justice Department internment camps immediately after the attack on Pearl Harbor. In February 1942, Executive Order 9066 paved the way for the further incarceration of all Japanese Americans living on the West Coast.

 

About this Site

This site was originally created and launched in 1997 as an independent class project for Development of Cultural Information Resources Using Digital Multimedia (LIS208) at the Graduate School of Education and Information Studies at the University of California at Los Angeles. All works displayed are owned by the Honma Collection which resides at the Japanese American National Museum in Los Angeles.

All text was written specifically for this site using publications and primary source material in the collection of the Japanese American Museum. The content for the site was moved into a new microsite on janm.org in 2023. Some text/captions were updated and newer scans of the artwork were used for the expanded galleries.

開催中

The December 7, 1941 attack on the U.S. Navy base at Pearl Harbor, Hawai‘i by the nation of Japan plunged the United States into World War II and irrevocably changed the course of American history. But for thousands of Americans of Japanese ancestry living in the Hawaiian Islands and the mainland, the war highlighted the great divide between their American ideals and their unfair treatment based solely on race. 

The Japanese first immigrated to Hawai‘i in 1885 to work as laborers in the burgeoning plantations. By the time of World War II, the Japanese immigrants and the subsequent generations born on the Islands had developed extensive communities and demonstrated their centrality to the Hawaiian economy. They worked on plantations, owned shops, practiced trades, founded churches and temples, and organized sports leagues, Japanese language schools, and martial arts clubs—all characteristic of a stable and growing community, a community that was making a commitment to a new homeland on the Islands. However, the United States had long been suspicious of immigrants who “looked” different. Hawai‘i was not yet a state, but on the Mainland numerous laws and court decisions created a hierarchy that limited the Japanese immigrant’s ability to become an American. 

After the bombing of Pearl Harbor, martial law was declared in Hawai‘i and Japanese American community leaders were singled out as “suspicious.” Although the Japanese Americans in Hawai‘i had posed no prior threat, community leaders were thought to be potentially harmful to United States security despite the fact that no evidence existed to link Japanese Americans in Hawai‘i with the acts of Japan, except by virtue of ancestry. By December 9, over 120 community leaders were taken from their homes and incarcerated in Hawai‘i.¹ George Hoshida was one such person.

This microsite honors the spirit and talent of George Hoshida (1907–1985), an incarcerated artist who documented camp life with pencil and brushwork in a series of notebooks he kept between 1942 and 1945. Through examples of Hoshida’s artwork and personal correspondence with his family, this site hopes to provide insight into one individual’s incarceration experience.

The pages of this microsite are organized chronologically by the camps where George Hoshida and his family were incarcerated. Hoshida’s notebooks and letters are now part of the June Honma Collection deposited at the Japanese American National Museum in Los Angeles, California. In addition to Hoshida’s personal documents, a select number of secondary sources were used to develop this site.

¹ On the mainland, over 1,000 community leaders were incarcerated in Justice Department internment camps immediately after the attack on Pearl Harbor. In February 1942, Executive Order 9066 paved the way for the further incarceration of all Japanese Americans living on the West Coast.

 

About this Site

This site was originally created and launched in 1997 as an independent class project for Development of Cultural Information Resources Using Digital Multimedia (LIS208) at the Graduate School of Education and Information Studies at the University of California at Los Angeles. All works displayed are owned by the Honma Collection which resides at the Japanese American National Museum in Los Angeles.

All text was written specifically for this site using publications and primary source material in the collection of the Japanese American Museum. The content for the site was moved into a new microsite on janm.org in 2023. Some text/captions were updated and newer scans of the artwork were used for the expanded galleries.

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